I STILL Don't get a Dime...but you may get a deal.

A couple of good guys down in Carolina are trying to make things a little easier for you to write off some good gear for this year. (I am not an accountant and recommend you consult yours to take the most advantage of any tax benefits.)

Front End Audio's Last Chance Christmas Deals. Keeping It Simple and Focused
At Front End Audio, we value our relationship with you and want to offer you deals but keep them focused without a bunch of jumbled up misleading discounts. All deals are effective now until December 31st.

Peluso Microphones: 10% Off All Peluso Items + free Peluso XL t-shirt with microphone purchases! Hand assembled in the USA, Peluso is a stand out line with a unique offering. Use coupon code: Peluso10%.

Heil Microphones: 10% off all Heil mics! Bob Heil brings his mind into the microphone arena, and comes up a winner. Use coupon code: Heil10%

BLUE Microphones: 15% Off All BLUE Microphones and Accessories! BLUE has a wide variety of mics to cover all sources, rich sound and USA built. Use coupon code: Blue15%

Samson: 10% off across the board...! Patchbays, live sound, wireless solutions, mics & more. Use coupon code: Samson10%

Safe Sound Audio: Experience 20% Savings Due to US Dollar's Rise! British designed and built, the P1 and Dynamics Toolbox offer a "finished" sound. Use coupon code: SSA20%

AEA Microphones: 15% Off All AEA Items + free AEA XL t-shirt per order! Premier ribbon microphones and now, a maker of excellent preamps. Use coupon code: AEA15%

Chameleon Labs: $100 instant savings + $50 "Add to Cart" savings on mics, channel strips and compressors! Preamp / EQ, plus microphones and compressor offerings that deliver long on short money.

Audeum: 10% off PC's custom built for audio, plus duplicators and storage! Optimize your studio, let Audeum build a solid machine that well, just works right. Use coupon code: Audeum10%

Daking: Buy a MIC PRE / EQ channel, $1299 thru Dec 24th. Based on the Trident A Range strip, let Daking take your tracks to the next level. Use coupon code: Daking A Designs Audio: Buy (2) two 500 series modules, receive the HR500 power supply free! Superior 500 series preamps, transformer in and out, high gain goodness.

Universal Audio: "ADD TO CART" pricing on in stock items, real savings! UA products bring you back to the old school, with full warranty and solid build.

Want to Sound Good...It's in the Mix.

How many times have you tried to mix down a spot and just couldn't get the VO track to stand out like you think it should? You figure you need a new mic. Or maybe for now you can just bump up the 3,000 to 6,000 khz range or something. Well, it may be what you can subtract to make what you have stand out.
Steve Murphy addresses some examples in his recent Opinion Column in Pro Audio Review Magazine.

Ironically, the VO track – usually the focal point of the ad and the only of the sources recorded in a “controlled environment”—can be the most problematic. Instead of a decent recording of a voice that can be evaluated in the full mix and then treated appropriately, I’ve spent quite a bit of precious mix time digging out of the overuse of “radioready” voice processing (over-excited, overcompressed, over-sibilant and/or over-modulated) printed on the takes.

The first step is to pre-process the music tracks on the timeline by manually evening out dynamic changes in musical sections, turnarounds, hits etc. I do this by splitting the sections, adjusting the clip levels and applying generous x-fades to smooth the changes. I also insert a Waves L2 (or similar smooth-leveling limiter) to aid in the dynamic consistency of the bed.

Second, carve out a healthy EQ scoop across the music tracks centered around the VO range (typically spanning 700 to 1500 Hz and down about 3 or 4 dB)—this does wonders to free up space for the voice elements while retaining a good perceived music level.

Third, very gently duck the music (2 or 3 dB) with a sidechain from the voice subgroup. Subtly is the key—this duck is a building block, not the means to an end. Lastly, some automation of the music track will always be necessary, but by employing the above (with all plug-ins, EQ and the side-chain already set up in the template, of course), an effective voice-tomusic mix can be reached quickly and the amount of time spent on automation can be drastically reduced.

Read Steve's full article here.

Have You Sent Santa Your List Yet?

I've been looking for this:

Marantz PMD661 Field Recorder
A svelte new portable recorder from D&M Professional, the PMD661 ($599) improves on its PMD660, offering a streamlined form factor, new feature set, built-in stereo mics, 44.1/48/96kHz recording and SD card media.
Measuring just 6.5x3.7x1.4 inches, the PMD661 has switchable XLR mic/line inputs; a secondary unbalanced, 1/8-inch mini-jack line input; S/PDIF digital input; and stereo RCA analog line outs.
The PMD661 is compatible with SDHC cards (currently up to 32GB capacity), offering up to five-plus hours of recording time from four AA alkaline or NiMH batteries (not included).
The USB 2 port supports simple drag-and-drop file transfers, and the included Mark Editor software allows marker points on the recorded file to be adjusted post-recording, creating a new file so that basic editing can be carried out on a PC or Mac if desired.
For more information, visit www.d-mpro.com.
More Info Here

Need an Expert? New VO Tech Blog.

When it comes to putting together your "room" or "booth" you have thousands of factors and influences to consider. That's why we always ask each other, "how'd you do that, Man?"

Well, now we have a new resource from my go-to guy himself. George Whittam's new blog will answer some questions you didn't even know you had.

Be on the look out for a coming video and explantion on Joe Cipriano's new room. There's a story behind the story that will benifit us all. (George built it.)
El Dorado Blog

Hey, I'm Not Making a Nickel on This Deal!!

Hey Willie,
I wanted to let you know about a great deal we're running in conjunction with BLUE microphones. We have just received a limited supply of factory refurbished Baby Bottle condenser mics. They are in mint condition and still carry Sweetwater's exlusive 2 year warranty (parts andlabor). These mics normally sell for $499.97 on our site but we can offer these B-stock models at $349.97 and still include FREE shipping. Alsoincluded with the mic are a pop filter, shockmount, and cherry wood storage box.
I've had a Baby Bottle in my mic collection for quite a while now and go back to it again and again for acoustic guitar, and also on vocals. It also works very well on percussion instruments and drumkits. It has a very natural sound with an extremely smooth mid range. This is just a great all around mic to have, with a very friendly price point right now. This is easily one of the best mics for under $500, and now it's under $350! You can check it out at the following link:http://www.sweetwater.com/store/detail/BabyBottleB/
Also, on any B-stock Baby Bottle that you order I'll offer the Blueberry mic cable for 25% off (offer available via phone only): http://www.sweetwater.com/store/detail/BlueberryCab/
I offered this same deal in December of last year and I sold out extremely fast so please get in touch with me as soon as possible if you're interested.
Thanks again Willie!
Luke Herian
1-800-222-4700 ext. 1236
luke_herian@sweetwater.com

NOT Necessarily Your Next Portable VO Rig.

Karaoke for the masses? Maybe. I don't think so.

But if you really want to be in constant touch with a portable rig in case the big client calls while you are away from a studio, give George a call about the latest updates on his VO2GO packages.

We will try to get George to tell us the cold hard specs and get some examples soon.

Some Industry News

You and I may not be directly involved with this information.... Wait, we still use cell-phones and other micro-mics. Some of us techy heads may find it interesting.


Industry News
Microphone makers ready for cheaper, smarter MEMS line

China (mainland) – Microphone makers in the region, spurred on by a huge market demand, are up and ready to ramp up production of silicon microphones with microelectromechanical systems (MEMS) processing technology. Worldwide shipment is forecast to reach nearly 1.6 billion units in 2011, growing by a compound annual growth rate of 43 percent from 600 million units in 2008, according to France-based market research company Yole Developpement. The growth is attributed to the booming portable consumer electronics market that includes mobile phones, digital still cameras, laptops, personal navigation devices, Bluetooth headsets and other portable recording devices.
The MEMS microphones market is estimated to have reached nearly $300 million in 2008. The mobile phone segment, with sales nearing 1.4 billion handsets annually, accounts for the lion’s share of this market. In close second is the digital still camera/digital video camera segment, which is expected to seize a major share leading to 2011.

Microfabrication increase yield of smarter products
MEMS, sometimes referred to as micromachines or microsystems technology, integrates mechanical elements, sensors, actuators and electronics on a conventional silicon substrate. Using microfabrication technology, its electronics components are assembled via IC process sequences while the micromechanical components are made by etching away parts of the silicon wafer or adding new structural layers.
MEMS devices are relatively cheaper to produce since it employs batch fabrication techniques. The technology to produce the device further allows the integration of new levels of functionality, reliability and sophistication on a small silicon chip. The technology enables the creation of complete systems-on-a-chip, which in turn leads to the development of smarter products.
MEMS silicon microphones offer the same acoustic performance as that of electret condenser microphones (ECMs) but without the cumbersome size of the latter. Unlike ECMs, silicon microphones with MEMS can withstand higher temperatures during surface mounting processes in consumer electronic products. It also exhibits a better performance in terms of reliability, uniformity, flexibility and power consumption.

Suppliers up capacities for likely demand swell
The significant penetration of MEMS microphones in consumer electronics is expected to begin next year, as pioneers Knowles, Wolfson, Analog Devices, Freescale, ST, Infineon and Omron look to add more solutions incorporating the technology.
China suppliers are closely monitoring movements from these developers. Some makers have begun production of sample batches while others are expanding production lines to meet the surge in demand. For instance, Shangdong Goer Acoustics Technology Co. Ltd has invested $12 million into a new production line with a planned capacity of about 500,000 MEMS microphones per month. Products from this factory are designedmainly for use with laptops and mobile phones. The microelectroacoustics maker has also developed technologies that address performance problems such as stress and conglutination.
Meanwhile, Suzhou MEMSensing Microsystems Co. Ltd will begin mass production of its proprietary MEMS microphones. The company holds six chips and encapsulation design patents for MEMS microphones.
AAC Acoustic Technologies (Shenzhen) Co. Ltd, which mass-produced its first line of MEMS microphones in 2007, has announced plans to increase investments in MEMS microphones R&D. To ensure further innovation, it has inked a cross-licensing agreement with Knowles and established technological ties with US-based Stanford University.

Could the New V87 be Next Sleeper VO Mic?

MXL has started shipping the new V87 "Studio" mic. If it has the same strong dynamic punch as the V88, it could be the new secret weapon for Voiceover.
If you have access to one and can test it out....let us know what you think.

The MXL V87 is an essential microphone for recording both vocal and instrument
performances. Designed with 8.5 dB low-noise circuitry for critical recording
applications, the MXL V87 combines a large gold diaphragm, FET preamp, and
transformer-balanced output to create a punchy midrange and full round low-end.

Telefunken | USA U 48 Tube Mic

Telefunken | USA's new U 48 tube mic combines precision vintage expertise with modern technology.
In 1957, Telefunken began distributing the U 48, which offered identical specifications as the famous U 47, with one notable difference: the U 48 featured cardioid and bidirectional patterns, rather than the U47's cardioid/omnidirectional combination. This feature let engineers make use of the M-S and Blumlein stereo techniques, that were popular with classical recording engineers.

The U 47 is exceptional in stereo miking applications and a U 47/U 48 set of mics offers engineers stereo recording options that are not otherwise available. When used in cardioid, the U 48 sonic response is identical to that of the U 47, and is often the microphone of choice for vocal recording.

The Telefunken | USA U 48 microphone system is available in both Platinum and Professional editions.

For more information about Telefunken | USA, visit www.telefunkenusa.com or call 860/882-5919.

Slack VOa Hacks Get Whack!!

Find more videos like this on voiceover universe presents...

(Only 3 microphones were injured in the making of this video)
Find more videos like this on voiceover universe presents...
Trailer Narrators Hip Hop Nightmare, shared by Beau Weaver of Paul Wintner Artist Management

Can the Old German Heritage Continue?

We all appreciate the genius, skill and dedication that developed the technology for the "Hitler Mic." We may or may not agree that Neumann may have set a standard for a certain style and sound for high-end microphone technology. But isn't it interesting that those original ideals continue on in various incarnations?

Georg Neumann established his first factory in Berlin in 1927 to repair electrical appliances. However, it was damaged by an incendiary bomb in 1943 and so he set up a new repair factory in a disused textile mill in a small town called Gefell close to the old border between East and West Germany, near Dresden.
The first microphone made in this factory was the CMV4a 'bottle', which used Neumann's M7 condenser capsule (later used in the U47 and M49 microphones, as well as in several of Microtech Gefell's current models).
After the war, Neumann eventually returned to Berlin and started the Neumann microphone company we all know and love today. His former technical director, Mr Kuehnast, and most of the original staff remained in Gefell also making microphones, and the two facilities remained in close contact.
However, when the Berlin Wall went up in 1961, all communications between East and West stopped, and as a result of communist ethos, the names of the former company owners were obliterated in 1972, and the name became VEB Mikrofontechnik Gefell.
The company continued developing various advanced technologies through the '70s and '80s, including solid-state microphone amplifiers and government-funded development of high-powered industrial lasers. In fact, the company still uses a laser engraving machine to mark the model and serial numbers on the cases of its microphones.
When the East German government finally collapsed in 1989 and the Berlin Wall came down, the Berlin Neumann company offered to co-operate with Microtech Gefell once again. As part of the co-operation deal, the Neumann factory in Berlin tested the various Gefell microphones and the Neumann engineers were surprised to discover microphone technology more advanced than some of that available in the West! For example, Microtech Gefell were using hybrid FET amplifiers in the 1970s, a decade before the same technology was adopted in the West.
The M900 and M910 microphones use a capsule made of a ceramic material moulded under high pressure and plated with chromium — technology developed in Moscow, perfected by Microtech Gefell, and unlike anything currently found in Western microphone designs.
Eventually Georg Neumann's heirs reclaimed a share of the old company as former owners, and when Sennheiser acquired the Berlin Neumann company in 1991, all links between the two companies were severed once again.
Microtech Gefell is now privately owned by the Neumann family heirs and has continued to develop high-quality microphones for studio, broadcast, PA and measurement applications.
Currently under the technical supervision of Kuehnast's son, Microtech Gefell still produces the M7 capsule in exactly the same way Georg Neumann taught the elder Kuehnast in the 1940s — hand drilling each hole in the backplate, making the PVC membrane, and gluing it all together by hand just as Neumann specified!

John Weeks has a new Microtech Gefell M930.... and he sounds great on it. He presents his tests of his various set-ups. He says,

"I got a Sound Devices USBPre for my "travel" set up. I've attached a some files for you.
Gefell M930 into Sound Devices USBPre
Gefell M930 into GML 2032 preamp into Lynx L22 soundcard
Gefell M930 into GML 2032 preamp into Neve Portico 5043 into Lynx L22 soundcard "

I was under the impression that the U71 is the Gefell "voiceover" mic. John's M930 sure sounds good. Let me know if you use or have used other Microtech Gefell's for VO.

Have You Seen the New Blue USB Converter?

(musicradar.com)

Icicle adds USB compatibility to any XLR microphone
Converter works with dynamic and condenser models

USB microphones are now a dime a dozen, but what if you want to plug your standard XLR model directly into your computer? Blue Microphones has the solution in the form of Icicle, an in-line USB converter and preamp.
Designed to work with dynamic and condenser microphones, Icicle is a plug-n-play device that offers a 48V phantom power option. There's an analogue gain control, and 16-bit/44.1kHz conversion.
Using the Icicle is simple – just plug your mic into one end and the USB cable into your Mac or PC.
Commenting on the product's launch, Blue Microphones President Skipper Wise said: "Today's musicians live in both the analogue and digital worlds, and Icicle bridges those worlds with sophistication, an understanding of how musicians work, and a clean, simple style".
Icicle should be available around the world in December and has a suggested US retail price of $60.

Have You Heard a Shure SM7b Test Lately?

A lot of Voiceover folks, especially ones coming from the broadcast side, fall back on the good ol' Shure SM7B Dynamic mic.

Gearwire.com does an interesting test. By the way, I appreciate when they do test with the actual mic being discussed.

Video Test Demonstration of Shure SM7B

..And Speaking of Instant Vocal Booths...

Here's a Mix video demo of a new product from Primeacoustic FlexiBooth.
What do you think? I would have to try it to be sure it works like they say.

"Mic Isolation Test" by SomeAudioGuy

We have all been asking about the SE Reflextion Filter and other gadgets to efficiently isolate our mics from room noise. Here's a hands-on test of a similar device--The Mic Thing. Very enlightening.

Here is the Story!

"You Can't Win Unless You Play"

ENGLISH VERSION(German Version follows below)

Closing Date November, 1st: Win a Neumann TLM 67!

On the occasion of its 80th anniversary, Neumann is having a draw for three brand new TLM 67 microphones. The website www.80yearsneumann.com provides three questions in the field of music history. Answering one of the questions correctly will enable you to take part in the draw for one of the microphones. However, you can considerably increase your chances of winning if you give the correct answers for all three questions. This will triple your chances!

The launch of Neumann's latest innovation, the TLM 67 microphone, celebrates the 80th anniversary of the company. The TLM 67 is modelled after the legendary U 67, the "workhorse" of the 1960s, and uses the same K 67 microphone capsule. The TLM 67 sound characteristics, inspired by the U 67, are achieved via a special new circuit design, without the use of tubes. Detailed product information can be found at: www.neumann.com.

Kind RegardsGeorg Neumann GmbH, Berlinhttp://www.neumann.com

--------------------------------------------------------------------

Nur noch bis zum 1. November: Gewinnen Sie ein Neumann TLM 67

Anläßlich des 80. Jubiläums verlost Neumann insgesamt 3 brandneue TLM 67. Auf www.80yearsneumann.com finden Sie 3 Fragen zur Musikgeschichte. Beantworten Sie eine der 3 Fragen richtig und sie nehmen an der Verlosung eines Mikrophons teil. Sie können aber Ihre Gewinnchance deutlich erhöhen, wenn Sie auf alle drei Fragen die richtige Lösung wissen. Dann haben sie nämlich 3 mal die Chance auf einen Gewinn.

Das TLM 67 ist die jüngste Entwicklung aus dem Hause Neumann und zugleich das Mikrophon zum 80. Jubiläum. Vorbild für das TLM 67 war das legendäre U 67, das "Arbeitspferd" der 60er-Jahre. Es verwendet die gleiche Mikrophonkapsel K 67 und mit einem neuen, speziellen Schaltungsdesign ist es eng an die Klangeigenschaften des U 67 angelehnt, kommt dabei allerdings ohne eine Röhre aus. Detaillierte Produktinformationen erhalten Sie unter www.neumann.com.

Mit freundlichen GrüßenGeorg Neumann GmbH, Berlinhttp://www.neumann.com

Wenn Sie in Zukunft diesen Newsmailer nicht mehr erhalten möchten, beantworten Sie bitte diese E-Mail und tragen Sie in die Betreff-Zeile "unsubscribe" ein.


_________________________________________________________________________________________________________________________________
Georg Neumann GmbH, Sitz: Berlin, Handelsregister: AG Charlottenburg HRB 3214 B , Geschäftsführer: Wolfgang Fraissinet, Stephan Peus

WTF test the Heil PR-20, PR-30 & PR-40

WTF stands for Wah! That's Fierce! What did you think it stood for?
I have not heard this before. I love it.

Click on the audio player below story.

TEST WIF AND WIF-OUT POP FILTA.

Making Money by the Dashboard Lights!

(As posted on the VO-BB) If you happen to be going by the NC State Fair in Raleigh, check out the video playing in the NC Wildlife booth. If the section titled "Electro Fishing" is playing....that's me..or my voice.

Wasn't supposed to be. You see, one of our top videographers worked on the project and needed a place holder voice to mark his edits. The leader of the organization was then to replace the voice with his.

The videographer asked me if I would help him and somewhere between cities, we recorded the piece in the back seat of a Cadillac Sedan DeVille in a Mall parking lot...on a hand-held RE-20 straight into the audio channel of the camera. Well, NC Wildlife loved it....as is. (It pays to help a friend in need.)

Want to SEE why the Neumann U87 cost what it does?

So... I'm watching DiscoveryHD this weekend to notice if any of our "buds" are getting extra Cable VO work and one of my favorite shows, How It's Made, opens with a feature on how the Neumann U87 is made. Now, they don't say it is a Neumann U87--but it's real obvious. They show just about everything but the electronics process. Hands-on, indiviually made, the care and quality is right there and up front.

Here is the schedule:

How It's Made: Season 11: Ep. 7 - Microphones, Hot Tubs
Tuesday, October 21, 2008 at 8:00 PM (EST)
Tuesday, October 28, 2008 at 2:00 AM (EST)
Wednesday, October 29, 2008 at 11:00 AM (EST)

Watch it and let me know what you're thinking.

Want to hear a New Brauner Test? Wanna U87 of your own?

I'm so jealous of Rob Ellis. Not only does he go great work, he now has a new Brauner Phanthera V that makes him sound even better.
CHECK IT OUT ON THE VO MIC TEST WEB PAGE--HERE.

Our buddy Skinny Johnny Weeks is another talent that flips my glockenspiel with his talent and killer Mic Locker. HERE'S BIG NEWS.....John is selling his prized Neumann U87 for a steal.
Hurry--Contact him NOW!

Big News Coming Soon...
Love ya...Mean it.

Please Induge Me....It's Because--I can.

Many of you already know these North Carolina fellas from their incredible internet success. You may have seen them on their short-lived TV series.
Our Lexington Barbecue Festival is coming up October 25th. We asked Rhett & Link to share their famous songs on our Leased Access Channels. Thanks to Rhett & Link and Alka-Seltzer, we can.

Rhett & Link Website.

What Does "Field Recording" Mean to MXL?

We told you these models were coming from MXL quite a while ago. When MXL told us the expectations for some of these new products it was truley exciting. Now they are on their website with even a few more enhancements. (Check out that Line Level USB interface.) I would like to see a little more description of each of the new shotguns though.
Check them all out HERE.

UPDATE: Oh yeah! Here's the reason I wanted you to take a look. It's a direct test comparison between the basic "Mic Mate" and a Pro Audio set-up. The Pro set-up includes Neumann Mic, Millennia Preamp. YOU AIN"T GONNA BELIEVE THIS! Listen HERE:

Are You Ready to Take Your Show on the Road?

I have seen lots of variations of the VO and Video Studios in a trailer at many Sports events. I always thought how convenient that would be. Several operators told me the trailers served as semi-permanent facilities when not rented out for road tours. Makes sense to me. I always thought I would talk to some of the companies that build the different kinds of haulers and trailers and find out what it would take to put one together.

Well now I know. Check out all the turn-key variations from Markertek.

What is an OSP mic-- Unusual shoot-out.

Found this video shoot- out. What do you think. I'll check in to this OSP thing. Let me know if you are familiar with it.
By the way, I think the U87 sounds best. But what do I know?


Okay. So OSP is a Chinese supplier that started showing up around 2006. I have seen that 1300 sold for as low as $70. Average now seems around $157 to a list of $199.
But how does it sound?

$7,000--Sounds like a U47 or $300--Looks like a U47

Wow! Designed in Germany. Radical new eliptical capsule design that's supposed to eliminate inter-freqency harmonics. Fat tube. Fat transformer. Only $6,995. The new Bock 5-Zero-7.

--OR--

Also from Germany, The Vintage T47 appears to be a Chinese knock-off, like many others.

Do you get what you pay for? Will the difference of around $6,650 make you sound better enough to earn the additional income to pay for it?

Stay tuned.

New Mics Arrive From Lauten

I'm so excited! The long anticipated (by me, anyway) LDC mics from Lauten are in stock at Summit Audio.

Damon Gramont called me this afternoon to let me know that Summit has them and are ready to talk VO mics when we are. The two we may be most interstetd in are the Oceanus and the Clarion.
The Oceanus is that Super-Mic we have all been waiting for. He says it really sounds BIG--in your face, BIG.
He suggest the Clarion may be the most useful for VO because it sounds full, yet smooth.
My suggestion, if you are interested, is to call Damon and talk Mics and preamps. Work your own deal, but tell him you saw it on VO Mic Test and he will know where you are coming from.

I really can't wait to hear these new mics, so let me know if you try one out.

Damon Gramont
Sales Manager, Summit Audio
U.S. Distribution, Lauten Audio
Office 805 517-1894Mobile 818 919-4009
www.summitaudio.com

5201 Great America Pkwy. Suite 320
Santa Clara, Ca 95054
877-721-7018 LautenAudio.com
LAUTEN AUDIO

FOR IMMEDIATE RELEASE

LAUTEN AUDIO BEGINS SHIPPING THREE EXCITING NEW MICROPHONES

SANTA CLARA, CA, September 16, 2008 – Lauten Audio, a professional microphone maker, has
begun shipping three new studio microphones: the Oceanus LT-381, the Clarion FC-357 and the Torch ST-221.
Each new model compliments each other as well as the company's first product, the Horizon
tube microphone, and enriches its professional studio microphone line.

“We are very excited to begin shipping and filling our pre-orders,” says Brian Loudenslager, Founder of Lauten Audio. “I am really proud of everyone involved that made these new mics come to life.”

Lauten Audio’s new studio microphones include:

Oceanus LT-381
List: $1599.00
The highly anticipated Oceanus LT-381 features a newly designed large dual-diaphragm capsule, NOS military grade pentode input, transformer-less triode output, and variable omni, cardioid and figure-8 polar patterns.
Visually stunning, the Oceanus is a fantastic vocal mic. It is an original high-performance tube condenser microphone that produces full and detailed recordings.

Torch ST-221 pair
List: $1499.00
The Torch ST-221 is a small diaphragm tube microphone that is packaged in pairs. These
microphones feature interchangeable cardioid and omnidirectional capsules, NOS military grade
vacuum tubes and premium high-resolution electronics. The Torch combines the characteristics
of the small diaphragm and the tube, making it an ideal choice for recording instruments. The
package includes 21 components and accessories.

Clarion FC-357
List: $799.00
The Clarion FC-357 is a solid-state multi-pattern large diaphragm condenser microphone. The
microphone is a blend of classic and modern FET sound. It has class-A electronics and a dual-
diaphragm capsule capable of omnidirectional, cardioid and figure-8 polar patterns. It also
features a unique three-position attenuation and gain switch, which offers powerful recording
options

“Each of these models offers a unique sound to recordists, and all of the Lauten Audio studio
microphones are designed to compliment each other," says Mr. Loudenslager. "The feedback we
received from our pre-release evaluations beat our expectations and really validated what we wanted to accomplish. I am very confident we have raised the bar for original sound and innovation as a boutique brand.”

“We are proud to offer a truly different microphone brand in the US," says Erik Papp of Summit Audio Inc., which is Lauten Audio’s sale representative in the US. "From the beginning of working with Lauten Audio I have been excited about being involved with a microphone manufacturer that is creating unique products.
I have a lot of respect for their ability to successfully create original designs. After years in development with the new products, we have really great products to offer."
Mr. Loudenslager adds, “We have taken steps to differentiate ourselves in a crowded microphone market. Whether it is unique circuits, new capsule designs, or including more relevant accessories, we make products that empower recordists at all levels.”
The new Lauten Audio microphones are available at dealers around the world.

Visit the company's website at www.lautenaudio.com for more information.
About Lauten Audio:
Lauten Audio is a high-end microphone manufacturer formed by professionals with diverse backgrounds ranging from microphone design, physics, recording engineering, and manufacturing. The company’s philosophy is to create original, high-quality microphones that empower recordists at all levels.
Lauten Audio is located in Santa Clara, CA, the phone is 1-877-721-7018.

Charter Oak E700 for Voiceover?

I've been asking this question for quite a while. Is anyone using the Charter Oak E700 for voiceover. Please let us hear from you if you are or have. the specs and discription seem to be great for E700 to be a knockout mic to bring out the best in spoken word.

Of course, there is a fine example of the Charter Oak SA538 test on the VO Mic Tests website and it sure sounds smooth.

Oh, if you are not familiar with Michael Deming and what Charter Oak is all about, you may appreciate this if you haven' already seen it:

Mic Mod Info

How do I reach the company that 'tweaks' and sweetens
mics, Audio Upgrades?
I have a Marshall 770 that might benefit from their
efforts.
I am awaiting delivery of a Heil P 40 and your blog has
really wetted my palate.
Thanks for the great work and resources,
Brian Butler
www.brianbutlervoice.com and for US
users www.voiceperform.com

Brian,
Thanks for your note. Your 770 has been the subject of many "modifying" topics on the web. Most all love the changes.
Yes, Jim Williams of Audio Upgrades did our Marshall SP-1 and we are ecstatic with the improvement. He charges somewhere between $125 - $175 depending on the difficulty. Jim is very specific about his feelings on how things should be done and what sounds best. I like his style. He's very professional but sometimes hard to get a hold of.
Usually you just send the mic along with the modification fee and return shipping. Tell him we (that VO Mic Test guy) referred you.
Let us know how you do with your new mics.
Thanks again,
Willie

Contact info:
Jim Williams
Audio Upgrades
6410 Matilija Ave.Van Nuys, CA 91401
Phone: (818)780-1222
Fax:(818) 346-2308
jwilliams3@earthlink.net

KEL...The Most Mic for the Money?

It seems like just a few years ago, in my podcasting days, friends whose opinions I trust were raving about this great little Canadian company’s inexpensive little mic. “You really should try this mic,” they would tell me. “Yeah, sounds good and you can’t beat the price. But it’s not a real VO mic,” I argued. OK—whatever.
Next thing I know, the HM-1 is turning up in home studios everywhere. It’s now known as one of the best mic values ever.

Mr. Kel himself, Kelly Dueck, has suggested that Kel doesn’t necessarily want their mics to sound like everyone else’s. These mics fill in those special places in your microphone tool box. Not too bright, not too dark—just right for special needs.

Lately, several of you have sent me word to check out the newest offerings from Kelly’s crew--the HM-2D and the HM-7U. You said they would surprise a lot of Voiceover artists. So, by popular demand:

Hi Willie,

We've updated the site and are going to be adding new clips, soon. Here are two that you can use -- one for the HM-7U and one for the HM-2D. Enjoy!

Just a quick note about the clips I just sent -- the mics were flat into an Amek 9098 pre, into the converters on a Focusrite ISA428, no compression.

Thanks! Please let me know if you have any questions ...

Kelly, for KEL Audio
kelaudio@kelaudio.com

My impressions? You know I am a fan of transformerless mics. They seem clearer and more true to the sound. That’s just me. I am a fan of Kel’s mic philosophy--Find a need and fill it. Stay true to the goal.
The HM-2D has a familiar sound. To me, it’s a lot like a Shure SM7B large diaphragm dynamic. That’s not a bad thing—especially at half the price.
But the HM-7U intrigues me. They make references to the Neumann U47. OK, you have my attention. The Kel package is totally different in its approach to the U47-like sound. Listen for yourself. I suggest you not try to compare to the U47 but evaluate the sound on its own merit. Honestly, I would like to try this new mic for myself…it may be a winner. It has all the necessary ingredients.
LISTEN HERE
We are being blessed with exciting new choices of $299 microphones that claim to compete with $2,000 to $4,000 mics. We will feature some more of them in the future.

Looking for the Perfect Match.

So you are really comfortable with a favorite mic. But you get the chance to try the Ultimate Mic. You feel fortunate and everyone else is envious. Boy, it does sound great.
But what a minute...it just doesn't "feel" as good as your old favorite. You know what I'm talking about. There are parts of the sound that just is not "you."
So what do you do? You call a trusted source that has experience with what you are looking for. Maybe there is a way to make "old faithful" truley the best mic.
Thus, our story:

Hey Willie,
I have decided to sell the U87. I'm putting it on Ebay. I'm also selling the Manley Voxbox as well. I'm getting a preamp to try that was recommended by Adam at Mercenary. It's the GML 2032. Adam said it would be a great match for the AK47.
I don't care for the way the U87 sounds on my voice. It has somewhat of a honky sound.
He first suggested that I try the InnerTUBE retrofit for it, but I was thinking that I really like the AK47 and maybe should just try to get the best possible sound out of it instead of turning the U87 into a $4500 mic.

(3 days
later)

I got the GML 2032 yesterday and here's a file to post if you'd like. Any comments would be appreciated.
Take care,
John
Weeks
johnweeksaudio@gmail.com
www.johnweeksaudio.com

Hear the Side-By-Side Test Here!!

Another U87ai EA-600 Test....Combo #1

Hey Willie,
I hope all is well over in NC!
I have a new mic combo for you.
This time its:Neumann U-87 Ai, Manley Voxbox, Enhanced Audio M-600 Mic Mount
(actually about $100 cheaper than the Neumann mount)
Keep in touch!
JohnJohn Weeks
www.johnweeksaudio.com

Hear it Here

A portable recorder setup test....(a good one, too.)

Malo Sal wrote:

Hey Willie,
Here is one of the sound tests I wanted to show your fans.
The first part is a rode nt1-a plugged into my Zoom H4, and the second part is the same reading using the Zoom H2 internal mics set to "90 degrees front" mode.
In my opinion, this shows how excellent the H2 is and how it is an excellent solution for portable recording, since no wires are needed for any external mic, and seeing that it fits on the palm of your hand.
The clips were originally recorded in 48 khz 16 bit and were converted in vegas video to 320 kbs mp3 of the highest quality setting I could find.
Thanks, and I welcome your professional input!

Rode NT-1 into Zoom H4/straight into Zoom H2

Thanks, Malo. Great job. Like everyone, I have been watching the rapid improvement in portable recorders with a keen eye. (I am actually shopping.)
Your test answers (or confuses) one of the main questions I have been wondering. "What difference does plugging in a high quality mic make in the final sound file?" You made an impressive demonstration. The XLR connected preamps in the Zoom H4 sound pretty good with the Rode. But the H2 on-board mics are very impressive.

If you put the files on a graph, you can see the difference. The Rode/H4 combo picks up a little more noise, but it is supposed to pick up more of everything.

The H2 sounds great. It's hard to believe you can get that clean sound from a self-contained, handheld recorder.

Anyone else using similar set-ups, let us know what works for you.
Would you believe that I have recorded many hour-long radio broadcasts with a Heil PR20 plugged into an Olympus W200 voice recorder? I'll tell you the secret to making it work if you ask me.....but hey, why bother when you can get the new recorders that sound so good out right.

Compare the Neumann TLM67 and the U89

Ty Ford does it again. There's been so much talk and speculation about the new tranformerless TLM67 and how it compares to the older version designs from Neumann, that we are glad Mr. Ford put a couple of them head-to-head.

My opinion is the TLM67 is the most versatile of the two. The dynamic range and level is much more consistant at varying distances than the U89.
The U89 is fuller and richer, but sounds best when you are in its "sweet spot."
What do you think?
Ty Ford's comparison page.

How are you doing on your Neumann Quiz?

The voice of music history - Part 3
NEUMANN Berlin celebrates its 80th anniversary

Every music generation has its very own character: Swing in the 50s, the colourful Love & Peace movement on the threshold of the 70s or today's increasingly bombastic stage shows. But they all have one thing in common - the NEUMANN microphone.

Since 1928, world famous stars and singers have been placing their trust in the high-end products from NEUMANN Berlin, not just in the studio, but now on stage as well. In a series of illustrations specially created for its 80th anniversary, NEUMANN revives the highlights of musical history.

From the Beatles through to Beyoncé, nearly all the big stars produce their hits with NEUMANN microphones. That's success that speaks for itself.

To test your knowledge on the history of music visit www.80yearsneumann.com and take part in our music quiz, and stand in line to be the winner of one of three brand new TLM 67 microphones.

Kind Regards
Georg Neumann
GmbH, Berlin
http://www.neumann.com

Should I go Chinese?

Meet new suppliers of Microphone units at the China Sourcing Fairs

Dear W.A. Edwards,

You are invited to attend the China Sourcing Fair: Electronics & Components, one of the world's largest and fastest-growing specialized trade shows for electronics.
Find new and innovative products from competitive suppliers from China & Asia. Meet these suppliers of Microphone units face-to-face and discuss your sourcing requirements with them at the fairs.

Hong Kong SAR • October 12-15, 2008 Exhibitor Name Booth Location
Dongguan Ruibo Electronic Co.Ltd Hall 11, 11L40
Register now for the China Sourcing Fairs. We will send you a free admission badge and other important information to help you prepare for the fairs.You'll also receive a free copy of the official Show Guide when you arrive at the fairs.

For more information visit www.chinasourcingfair.com
I look forward to seeing you at the China Sourcing Fairs!

Emily LeeVisitor Marketing Manager, Global Sources Exhibitions
Global Sources (NASDAQ: GSOL)
The source for quality Suppliers
www.chinasourcingfair.comwww.globalsources.com
Chinese Mic, Chinese Microphone, Chinese Mics, Chinese Microphones.

Update on Using the USB mic

Word up! Necessity is the motivating factor for possible change.
Is that too heavy? Let me explain what happened. I got a call from the production crew that we needed a VO for a charity event spot for TV. I did a final edit on the copy a week or so ago and just got busy with higher paying work. (I can’t believe I’m telling you this much.) Well dude, we need the spot NOW!
It was too late to have the lady doing the VO to come to my studio. All the cameras were tied up on other projects so we couldn’t just record straight into the camera and lift the track. I really didn’t want to use my old radio recording gear because I really wanted more editing control and I felt there had to be a better way to control quality.
Now I am desperate. I had to get it now!
Last week, I inherited my wife’s two year old laptop. I paid someone to clean all the crapware off and try to straighten up the files and system. It’s still loaded with lots of unnecessary stuff. But it’s mine. I had loaded Cool Edit Pro 2 on it long ago (just in case) and now was the time or special case to try it.
I didn’t want to unplug one of our digital interfaces and use the amps in the interface with perhaps the Sennheiser MKH416 all running into the laptop….unless I had too.
Wait a minute. I still have the MXL USB008. Theoretically, that’s all I should need. No time to worry about it—I’ve got to go.
OK. I have to appear to be the consummate professional acting like I do this every day.
Plug in the mic to the computer. Pull up the software and produce.
Right off the bat I realized that I forgot my sound-box. Her office is the quietest in the building. You will still hear some room noise and sound bounce.
The lady is on the board of directors of this charity and does her own spots on camera for her company. I knew if she felt comfortable, she would have no problem with the spot.
OK. Here is the unmixed file:

I am tickled. I will perfect my smoothness factor and this may be one of my main portable setups. And YES...I will be using my Sound Box from now on.

Need Remote Gear?

No. I have not "sold-out" to anybody. It's just a nice little "remote gear sale" at BSW.
Anyone looking for a Telos?
(I really need that Lectrosonic plug-in transmitter and receiver package)

Interesting Enhancements for Mojave FET

MOJAVE AUDIO ANNOUNCES NEW MA-201fet CARDIOID CONDENSER MICROPHONE (hint--click on sub-head)

Burbank, CA… Mojave Audio, a company founded by David Royer (known for his work with ribbon microphones) is pleased to announce the introduction of the Mojave Audio MA-201fet Cardioid Condenser Microphone. Evolving from David’s 20-plus years as a designer of custom microphones, the MA-201fet is an ideal choice for recording vocals, dialog work of all types (including broadcast and voiceovers), recording acoustic instruments such as guitar, piano, and wind instruments, as well as choral work. Additionally, this new microphone is a great choice for kick drum, bass amps, drum overheads, capturing drum room sounds, and orchestral recording.

The new MA-201fet provides warm, full-bodied reproductions of vocals and instruments without the shrillness and high frequency artifacts so often encountered with modern condenser microphones. The microphone’s warm FET circuitry and Jensen transformer combine to deliver low noise and high quality performance. As a solid state, large diaphragm condenser microphone with a cardioid polar pattern and a 3-micron thick, 1-inch (diameter) gold sputtered capsule, the new MA-201fet is a truly versatile recording instrument.

As one would expect from a David Royer designed microphone, the MA-201fet’s performance specifications are equally impressive. This exceptional microphone features a frequency response of 20 Hz-20 kHz +/ - 3.0 dB, a sensitivity rating of -39 dB, with a distortion rating not to exceed less than 1% @120dB SPL; less than 3% @134dB SPL. The microphone operates on standard 48 V Phantom power.

Dusty Wakeman, Mojave Audio’s president, commented on the company’s new offering, “The new MA-201fet draws upon the success of our MA-200 and brings a comparable level of performance at a truly competitive price point. This microphone is a remarkably versatile general purpose recording tool that, I’m confident, will find a home in a wide variety of environments.”

With a MSRP of $695, the Mojave Audio MA-201fet will become widely available September 1 of 2008.

it's a Wide World of Mic Excitement

Have you ever been like me during a weekend of "Mic Fever" and searched the entire Internet for every source of a possible perfect mic that you may have missed. Maybe you'll find the one secret combination that no one else has found or thought of.

You may have thought about ordering just one of the exotic sounding one-off brands that sounds so good in the web description. That's one reason we try to contact some of these companies and ask if they know if anyone is using their product for voiceover and can we get an audio clip.

Our friends at cuonet.com feature an link to an interesting UFO brand USB condenser. I really like the marketing style of the demonstration. Wonder how it sounds? It looks great. (There I go again--stop it!)

Do you consider brands like Flea, Karma, LeWilson, Microphonedeals (reorganizing), Superlux, T.H.E., UMT, HDW as one-offs or boutique makers?
Do you have or know someone that uses what may be considered an unusual brand....with good success?

Let us know what you have found.
VOMICTEST here

MKH 416 compared to NTG-3

Well, ask and you will receive? Ty Ford does an in-depth comparison between these two shotgun mics.
What do you think. Click Here and let the large file load.

1st Heil PR-22 Test...Watch This Space!

I got it! Got my PR-22 from HeilSound. You may know the story already. I really like the sound of the PR-20 and used it hand-held for on-camera interviews. Well....as everyone knows that's used the PR-20 it does sound good...unless you handle it.
You should have heard the videographer yell, "That was great....except for the mic noise. Do it again!" Dang--that was irritating.
I did learn some better handling techniques and did use the PR-20 on many good takes. Just irritating when something slipped.
So, I got the new PR-22. It sounds great. Seems to have a little narrower cardioid field. I'll check it all out in action soon.

I promise you a mic test with this mic like you have never seen....coming soon.
In the meantime--listen and compare the Heil PR-22 HERE.

I Found it....The Rode NTG-3 for A/V

Well, I have been hearing rumblings & rumors about all the new shotgun and eng mics that were supposed to be coming out.....and now I finally see one of the most anticipated--the Rode NTG-3.

Claims include "the finest mic available for Audio/Video acquisition." The specs are impressive...No, wait--that aluminum carrying case is impressive.

Now if we can just find out more about the four new shotguns coming from MXL. These are great times.

Really, if anyone has tried the new NTG-3, please let us know. We can't wait to find out more.

CHECK THE JULY 10 BLOG ENTRY FOR COMPARISON TEST

A Month with Bob Heil…….

As most of you know, I am a big Bob Heil fan. All during my developmental years, he was doing it—making the legends. We share some of the same interest and hobbies…and heck….some young digibrains may say we’re both old. (No way!)

We have spoken on the phone several times and shared a few emails and just like his reputation—he is the perfect professional and gentleman. He’s someone you want to do business with.

Terry Manning is the Moderator of the Whatever Works board on the ProSoundWeb’s forum. The month of June was designated as “Ask Bob Heil” month. Here’s an excerpt from his opening:

For those few who may not know, Bob has recorded or mixed, usually in live situations, such groups as The Grateful Dead, The Who, Humble Pie, ZZ Top etc, etc.
He also was the creator of the famous Heil Talk Box, and is an innovator in live sound system and studio microphone design philosophy.
Believe me, Bob has some of the most amazing road stories you have never heard as well!
Of course, Bob is also the creator of the great new Heil dynamic microphones.

Link up to the forum and read all the entries. It will take some time—it’s long.
The Rock’N Roll history is incredible. If you are a HAM, there’s valuable contacts.
If you are a fan of microphone technology, this is a gold mine that may shake the way you think about your studio set-up.

Link up HERE.

P.S. Yes, for those of you that asked….I did order a new Heil PR-22. Test coming soon.

More Sound Panels...This Time--Portable.

QUIET! There isn't a week that goes by that someone, somewhere doesn't mention our article on building the Sound Absorbing Panels.

Well guess what--we found more examples. Although these examples are a little more serious and may take a little more handy-work, they seem to fill a perfect use in some users' circumstance.

Stackable Gobos

Abby Panels

Oh, you are handy with the tools (or know someone that is)? You can save a lot of money using these ideas and building your own vocal booth.

Let us know if you do or plan on doing any of these projects and how they work. Oh, and take pictures.

AKG Debuts K 702 Headphones For Recording And Broadcast Applications

Since it is stated somewhere on the AKG website that the new C 214 mic is not really for the spoken word, we thought we would look at the next best news from AKG--Headphones! (I can't imagine "blue buttery velour covered" as describing my headphones.)

AKG Acoustics introduced its new K 702 dynamic headphones today at InfoComm ‘08. The new K 702 headphones combine the superior sonic performance of AKG’s now-legendary K 701 with features demanded by recording and broadcast engineers in a deluxe professional package.

The K 702’s new features include a detachable input cable with a locking 3-pin mini-XLR connector. The high-performance, low-loss detachable cable makes transportation and storage easier plus makes servicing easy if necessary. The new K 702’s also feature a stage blue finish that is more rugged and professional looking than the K 701’s gloss white color.

“The K 701s are extremely successful, critically-acclaimed and much loved as personal monitors for audiophile listening” explained Sonja Malzer, Product Manager, AKG. “We’re now offering the K 702s for professional applications with features and appearance more suited for serious audio engineers who want and need the utmost in sonic detail for their work.”

The K 701 and the new K 702 are the world’s first headphones with flat-wire voice coils for unparalleled signal-tracking accuracy. Their patented Laminate Varimotion diaphragms eliminates spurious resonances and deliver an engaging listening experience with out-of-head imaging so that engineers can hear all the nuances of their sound. The K 702 is also very comfortable to wear during long studio sessions thanks to its buttery-soft, glove-leather headband and ergonomically-shaped, velour-covered ear pads.

The AKG K 701 and K 702 are hand-assembled at AKG’s facility in Vienna, Austria. Each headphone is carefully tested and serialized ensuring a product of exceptional quality. “Above all else, the new K 702 sounds exceptional!” Sonja Malzer continued. “Now studio engineers can get closer to their music thanks to these incredible, leading-edge headphones.”

VO Mic Test

Looking for Hi-Tech Sound Proofing?

How many times in your career have you had to think about noise when recording or using your mic? Not the electronic kind in your equipment--the external sonic kind. Hopefully, you were experienced enough to figure out a way to either 1. get away from the noisy sourse, or 2. insulate yourself from the evil sounds.

In Science Daily, the story reads, "Researchers in Spain have proven that metamaterials, materials defined by their unusual man-made cellular structure, can be designed to produce an acoustic cloak -- a cloak that can make objects impervious to sound waves, literally diverting sound waves around an object." Whoa! think of the possibilities. Wonder if we could just throw a blanket of stuff like this over us and SHAZAAM! Instant sound booth.

Here is the article in Science Daily. Make sure you read the related articles linked in the side-bars. I hope someone in our business stays on top of these developments and gets us a reasonably priced option.
Talk to me...about the blanket theory.

Philip Banks' Neumann U87ai

So, one of my business partners asks, “Wasn’t it you and Philip Banks that used to give each other such a hard time on various forums years ago?” “He’s the one,” I replied.
The truth is I have the utmost respect for Mr. Banks. He puts up with less B.S. than even me. And he writes so….danged “English.” His prose is fortified with observations and emotions. He evokes questions about how you feel about a particular subject. Most importantly, he makes you think, and think deeply.

Probably the biggest issue we have with each other is he won’t try Grits…and I won’t try Haggis. (The truth is grits and haggis are made to accompany each other.)

But know this, when Mr. Banks speaks, folks best pay attention. As a matter of fact, that is why he is paid amply and often—to speak so folks will listen.

We are quite honored that Philip Banks has shared his beloved Neumann U87ai with us. Have you noticed that the higher the price of the mic (and voice) the smoother it gets?
Check out Philip Banks on his U87ai here.

UPDATE ON “CHINA BLUES”

Hey Willie,
I called BLUE yesterday just to confirm the Bluebird USA/China manufacturing. According to the woman that answered the phone at BLUE, they stopped US manufacturing of the Bluebird about a year ago. I think most of their mics are still made in the US, but my assumption is that the lower end ones, the Bluebird for sure, are now made in China. After manufacturing, she told me that they are inspected at the US BLUE factory. Actually, each Bluebird comes with a dated quality control certificate that certifies that the frequency response, noise specification and fit/finish are up to snuff. Best,
Josh

Josh Mahler
Vocalvoodoo Productions
314-401-6485
www.Vocalvoodoo.com

das Brauner.........

I responded to a thread on a popular forum about new gear announcements. This particular topic was the introduction of a couple of new Brauner mics.
I asked if any of the Brauner’s are specifically designed or are more effective for the spoken word?

Well you can definitely use all of them for the spoken word. But we often get the feedback, especially from radio/broadcast stations, that they prefer the Phantom for spoken word…Mainly because of its very high level of speech comprehensibility. Also the Valvet is very often used at Broadcast stations for that type of application.Let me know if there are further questions.
Cheers
Kai
__________________
SEA Vertrieb & Consulting GmbH
Auf dem Diek 648488 EmsbürenGermany
Tel.: +49 5903 9388-16
Fax: +49 5903 9388-55
http://www.sea-distribution.com
http://www.theartofmicrophones.com

The Bluebird of Happiness Keeps Flying...

Hi Willie,
I hope all is well and business is booming for you!
Here's a sample of the Blue Bluebird into the Manley Voxbox.
Josh Mahler told me about the deals on these. $299. Not bad and I think it sounds pretty good. I still really like the AK 47 and use it as my primary mic, but this one isn't bad as a backup.

You don't know anyone who'd be interested in buying the ADK Hamburg II au, would you. I'll probably put it on Ebay and see what happens.
Thanks,John

John Weeks(423) 586-5040
johnweeksaudio@gmail.com
www.johnweeksaudio.com

I Found a Thrill on Blue Bluebird Hill.....

And another for you my friends! :)

Just picked up the BLUE BLuebird over the weekend. They are now going for only $300 and come with a shock mount and pop filter. From what I understand, sonically, the Bluebird is identical to the Red Type B with an R8 capsule.
All the best,
Josh

Wow! No—I mean WOW! This mic sounds good, Josh. I heard just a tinge of high-end sibilance, but the rest more than makes up for it. What a bargain. Awesome .. again, Thanks.
Willie
Hear Josh Mahler's Test Here.

Thanks Willie.
I really like it too. I sent John Weeks a sample today
and he ordered one an hour after getting my email. LOL
I think the Bluebird use to go for around $500ish. I will say this,
the frequency response graph in the manual is different than the graph
now on the BLUE website. The current graph looks identical to the Red/
Blue R8/B8 capsule.
The older Bluebirds were labeled as having a cardioid pattern, but
were really closer to being hyper-cardioid. The newer ones seem to be
a true cardioid mic rather than hyper.
With that said, I'm almost tempted to find a used one from a couple
years ago just to hear the differences.
Josh

(UPDATE:)
Hey Willie,
I called BLUE yesterday just to confirm the Bluebird USA/China manufacturing. According to the woman that answered the phone at BLUE, they stopped US manufacturing of the Bluebird about a year ago. I think most of their mics are still made in the US, but my assumption is that the lower end ones, the Bluebird for sure, are now made in China. After manufacturing, she told me that they are inspected at the US BLUE factory. Actually, each Bluebird comes with a dated quality control certificate that certifies that the frequency response, noise specification and fit/finish are up to snuff.
Best,
Josh

"We do These Things 'Cause We Love You"...

THANK YOU!!!

I've spent 45 years in front of microphones, having started at 5,000-watt AM WING in Dayton in 1963. Little did I know, as I talked into the ever-present 77 DX's of those days, that I should have bought a case of them from RCA as my retirement fund! Following my first decade as a DJ, I went to work for voice great Mel Blanc as his studio manager, then on to 30 years as a TV producer and voice artist in New York. Now I teach VO from my home studio in Philadelphia (I am the only private voiceover coach in the entire Philly metro area), and voice audiobooks for AudioRealms.com, plus, of course, spots. So it is safe to say that I've spoken professionally into every popular "announcer" mic of the past 4 decades. (My current primary mic is a Rode NT-1000 condenser.)

However, in all those years, I never, EVER had a chance to hear mics compared head-to-head this way. As you know, we voice artists are always seeking the Holy Grail of mics, and need to hear ANNOUNCER voice samples (not musical instruments) in order to compare apples to apples. Visiting a Guitar Center store is a crude way to compare one or two mics, but of course, does not allow for dozens of shootouts. So I must trell you, this is the greatest site I have ever seen! I found it accidentally while looking for everthing I could find on Cascade ribbon mics. Needless to say, I GREATLY appreciated your shootout. You just saved me 150 bucks! I was getting a bad case of "ribbon mic lust," remembering those glory days of AM radio's big sound. I thought the Fat Head ribbon might do the trick, but now I think I'll hold off.

So this is just a little love note, a bouquet thrown your way, from an old timer in the voice biz. Any time I can be helpful to you in any way, just let me know.

Many, many, MANY thanks!

Best regards,
Chuck McKibben
www.voiceoverisland.com

Chuck,

Thanks so much much. It's alway good to know that "sound" traditions of quality are still in good hands (or voices) like yours.

It is sad to think of the newer generations of voices that didn't get to use the work-horses of the business. On the other hand, isn't it exciting that we old work-horses are getting to use some of the newest microphonic techology in history.

A great story would be to re-introduce some of the great old mics that we used in the past and the various techniques used to get the most out of them.

Again, thanks for your note.
Willie
VO Mic Tests

More Neumann Transformerless Transitions...

In case you missed this the first time we talked about it:

Neumann celebrates its 80th anniversary with the launch of the TLM 67

In the world of studio microphones, the numbers "47", "67" and "87" have associations that inspire enthusiasm among professionals. It is no coincidence that the name of the new TLM 67 contains the number "67". In many respects, the TLM 67 is based on the "workhorse" of the 1960s, the legendary U 67. Like the U 67, the TLM 67 incorporates the K 67 capsule. In addition, the special new circuit design closely reproduces the sound characteristics of the classic U 67, without the use of tubes. Similar Neumann circuit technology has already proved very successful in the TLM 49.

The TLM 67 is extremely versatile. Its three switchable directional characteristics (omnidirectional, cardioid and figure-8), selectable 10 dB pre-attenuation, and high-pass filter permit detailed adjustments to be made depending upon the specific recording situation.

The TLM 67 introduces a novel Neumann dual-color design. The pearl-gray of the microphone body combined with the classic Neumann nickel lends the microphone a touch of distinctive individuality. On the occasion of its 80th anniversary, the Neumann company is honoring its founder, Georg Neumann, with a three-dimensional metal emblem on the front of the TLM 67.

The complete product information is available on http://www.neumann.com/?lang=en&id=current_microphones&cid=tlm67_description.

Kind Regards, Georg Neumann GmbH, Berlinhttp://www.neumann.com

I am very interested in your comments. Anyone a traditionalist?

About Those Sound Deadening Panels......

Hi,

Thanks for sharing your construction method of building the sound absorption panels. I'm considering building some for myself.

One question I have though is once they are built, how do you suggest positioning and mounting them?

I would plan to use them in my recording/mixing room as am alternative to products like Auralex. Would it make sense to build a number of these panels and simply mount them on the walls of my studio space?

Thanks.
Dave King

Dave,
One of the main misconceptions about setting up a vocal booth area is that it has to be totally covered in sound-deadening material. You still need a little “life” in your room.
That said, there is a difference between sound-proofing and sound-deadening. If you need a room that keeps all sound out (like the neighbor’s lawnmower), then you need to do much more than just controlling the sounds you are making in your room.

If your recording room is still the one you used in the “Recording Pretty Kitty” photos on your website, your solution should be simple. The panels we describe can be simply stood against the wall about a foot from the corner and again at 3 to 5 foot intervals along the wall. A more decorative (and better sound-control) approach would be to hang the panels on the wall like accent pieces. An example would be to turn a panel on its side and hang it where you now have the two pictures. The key is to knock down sound reflection from broad flat surfaces such as those walls. Those would knockdown some reflection—not cover the wall.

The beauty of the individual panels is that you can position them around the room to test the best effect. Then mount or stand as needed.

Thanks for your note, Dave. We’ll keep studying and pass on more info as we learn.


Hey Willie,

Thanks for the detailed response.

I'm guessing that by positioning the panels diagonally in the corner(s) it would make them operate as bass traps, correct?

I'm thinking about making a number of these panels and mounting them on the walls in my studio space. I'm wondering if it matters if they are mounted flush against the wall, or would it be better to have say a half-inch or more distance between the panels and the wall? This could accomplish by using spacers of some type. Any thoughts on this?

Thanks, again.

Dave,
Good call on the corner. That’s what I’m doing in my vocal space. However, probably the best bass trap is a large trash can filled with concrete. The best bass frequency absorber is mass. But I guess it all depends on how much bass frequency sound you are producing. Voiceovers, vocals and acoustic instruments should be effectively handled by your diagonally placed corner panels.

Now, about direct mounting the panels to the wall. Solid objects tend to vibrate according to certain harmonic resonance. That means at some frequency, the solid backing in your panels will be affected. Will it transfer to the wall? Probably, but the chances of that affecting the sound response to your mic are unlikely and can be determined for sure by testing.
Sound engineers suggest definite air-space between the sound insulator and the mass of the wall. That will also help defuse sound coming through the wall from the other side.
So, yes—a little off-set from the wall is a good thing. I would try small foam pads (nothing expensive) to off-set the panels ½ to 2 inches from the wall. Sound engineers will tell you that the distance of the off-set should be at least 4 inches. But what sounds are we producing? Heavier and louder may need more radical measures.

The advantage of the separate panels is the flexibility it gives you to test. Position them in the most likely place to absorb reflections and then move them around to see if it affects the sound. Test, play, record and listen. You are looking for the sweet spot in the room and you will know when you find it—you will hear it. Hopefully, that sweet spot will be right where you currently have your gear set up now.

Again, I am not an expert. I certainly am not a sound engineer. I just learned from experience and advice from sound engineers. All I ask from you is to share what you learn as you set up your room.

Willie
VO Mic Test Page