But I've noticed that in talking with the master technicians, they may add a little "footnote" to discussions about matching mics and preamps--impedance matching. They mention it as an aside and almost under their breath at the very end of the talks.
I may have referred you to other papers and sources about this subject in the past, but in case you missed this one, I submit it again. It's from the Microphone-Data website in an article by Rob Jones. Check out the PDF Here.
Keep in mind that Mr. Jones worked for Focusrite and demonstrates with a preamp with adjustable impedance--one of his.
How do I feel about it? He sums it up pretty well in his last paragraph:
Most microphones can be used very satisfactorily with most preamplifiers and true “matching” is actually undesirable. However if you are seeking a particular quality, tone, colouration, character – the terms are not fixed – then picking the right combination of equipment can be very helpful.
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