Roy tells us what is hot with MXL
Neumann for Voiceover
This blog is the supplement to the Test Site: VO Mic Tests. Some Mics Tested: Blue Snowball, MXL V88, Heil PR-40, Rode NTG-1, Kel HM-7Ui, AT 4047 SV, Senn MKH-416, Neumann TLM 103, MCA SP-1 Modified, Shure SM58, Gefell M930, ADK A51 type V, Heil PR-20, Peluso 2247, CAD GXL2400, Heil PR-22, AKG 414 BXLS, CAD M177, EV Raven, CharterOak SA538, Kel HM-2D, Senn MD421, SE Titan, SE 2200a, EV RE-20, AK-47, Blue Bluebird, Shure SM7b, Neumann U87ai,
Friday, January 30, 2009
Thursday, January 29, 2009
Wednesday, January 28, 2009
Shure has new DIGITAL mics?
From SportsVideo.org
Shure Mics Make Move to Digital
Jan 27, 2009 - 2:17:44 PM
Shure microphones are moving into the digital realm with the debut of three products: the PG27USB and PG42USB side-address condenser microphones and the X2U XLR-to-USB signal adapter. In addition, Shure introduced XLR models of the new microphones, the PG27 and PG42. “Over the past several years, more and more musicians, both professional and amateur, have taken recording into their own hands at home, on the road, in their bedroom, basement, tour bus, wherever,” says Chad Wiggins, category manager, Wired Microphones. “With these new products, we’re bringing the legendary heritage of Shure microphones to every level of performer and home recording artist as the proliferation of digital recording continues.” The PG27USB and PG42USB microphones connect professional-caliber Shure microphones to any USB computer port with “plug-and-play” performance. The cardioid condenser mics feature built-in headphone monitoring with zero latency and monitor mix control, enabling users to instantly hear what they’re recording through headphones and make adjustments on the fly, which makes them excellent tools for multitrack recording. Both microphones are durable enough for everyday use and practice but sophisticated enough for advanced recording by the most discerning artists. “Now anyone can connect a Shure microphone to their computer to create their music,” says Scott Sullivan, senior director of product marketing and development. “We realized that musicians who create digital recordings are looking for three things: superior equipment to translate their sound; the ability to hear themselves ... monitoring; and the ability to accurately adjust their monitor mix. We’re delivering all of this with our new USB microphones and the X2U adapter.” The PG27 and PG42 are XLR counterparts of the USB models. The PG27 and PG27USB feature a flat, neutral frequency response for natural reproduction of a wide variety of instrument and vocal sound sources. The PG42 and PG42USB were specifically engineered to reproduce the subtle nuances of lead vocals. The large diaphragm allows for higher sensitivity to clearly reproduce refined performances. The low-cut filter and external shock-mount further optimize performance for vocals.
Shure Mics Make Move to Digital
Jan 27, 2009 - 2:17:44 PM
Shure microphones are moving into the digital realm with the debut of three products: the PG27USB and PG42USB side-address condenser microphones and the X2U XLR-to-USB signal adapter. In addition, Shure introduced XLR models of the new microphones, the PG27 and PG42. “Over the past several years, more and more musicians, both professional and amateur, have taken recording into their own hands at home, on the road, in their bedroom, basement, tour bus, wherever,” says Chad Wiggins, category manager, Wired Microphones. “With these new products, we’re bringing the legendary heritage of Shure microphones to every level of performer and home recording artist as the proliferation of digital recording continues.” The PG27USB and PG42USB microphones connect professional-caliber Shure microphones to any USB computer port with “plug-and-play” performance. The cardioid condenser mics feature built-in headphone monitoring with zero latency and monitor mix control, enabling users to instantly hear what they’re recording through headphones and make adjustments on the fly, which makes them excellent tools for multitrack recording. Both microphones are durable enough for everyday use and practice but sophisticated enough for advanced recording by the most discerning artists. “Now anyone can connect a Shure microphone to their computer to create their music,” says Scott Sullivan, senior director of product marketing and development. “We realized that musicians who create digital recordings are looking for three things: superior equipment to translate their sound; the ability to hear themselves ... monitoring; and the ability to accurately adjust their monitor mix. We’re delivering all of this with our new USB microphones and the X2U adapter.” The PG27 and PG42 are XLR counterparts of the USB models. The PG27 and PG27USB feature a flat, neutral frequency response for natural reproduction of a wide variety of instrument and vocal sound sources. The PG42 and PG42USB were specifically engineered to reproduce the subtle nuances of lead vocals. The large diaphragm allows for higher sensitivity to clearly reproduce refined performances. The low-cut filter and external shock-mount further optimize performance for vocals.
Tuesday, January 20, 2009
GW Gets Hands-on Test on Popular ADK's
George Whittam of ElDorado Recording Services took his very impressive CEntrance Micport Pro to the Winter NAMM 2009.
Listen as George tests the ADK A-51, S-51, A-6, A-7. Scroll down past the video. (I'll try to post the test here later.)
Personally, I think the S-51 and A-7 sound best with George's test. It would really sound good if he had done it in one of his fantastically designed rooms.
Oh, Here's the Larry Villella video. When are you manufacturers going to realize that we want to HEAR HOW THE MICS SOUND as well as how they look?
Listen as George tests the ADK A-51, S-51, A-6, A-7. Scroll down past the video. (I'll try to post the test here later.)
Personally, I think the S-51 and A-7 sound best with George's test. It would really sound good if he had done it in one of his fantastically designed rooms.
Oh, Here's the Larry Villella video. When are you manufacturers going to realize that we want to HEAR HOW THE MICS SOUND as well as how they look?
Thursday, January 8, 2009
What the Heck is This All About?
What kind of new realm of flexibility is ADK trying to cover now?
A sound for every situation in one box? Hmmm. Let me know what you think.
Lollipops & Lipstick
A sound for every situation in one box? Hmmm. Let me know what you think.
Lollipops & Lipstick
Saturday, January 3, 2009
You Think Our Mic Tests are Wild.......
Hey, in our efforts to present every opportnity to hear mic comparisons in spoken word, we have included a page from HowAutoTV.com. Here's a quote from the page:
Click on "watch in high quality."
This hybrid video is a shoot-out between four microphones used for voice-over work and podcasting. Secondly, the tutorial demonstrates how to get a "good" sound out of the mic for your final project. This is great video for podcasters, voice-over artists, sound engineers and video editors.
The mics used in this tutorial: Neumann U87, Sennheiser ME66 Shotgun, Sennheiser 421, Rode Podcaster and the MXL UBS .009.
Click on "watch in high quality."
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