"KILLS Deadly Lipstick Germs"

I mentioned earlier about a product made for "sanitizing" microphones.
Here it is:

Video is 9 minutes long so let it load...it's a hoot.

Or you can see it on their website and get more info Here.

Marketing Mics...It's all about perception.

Is it "product placement" for the old/new generation.
Life-like images of old microphones in a new video game....!

I kinda like it.
Someone explain it to me.

Does the "Cuteness Factor" Help Your Voiceovers?

I admit. If I could work in front of a bright, shiny MXL Gold 35 mic everyday, it would probably improve my attitude and outlook of work and my presentation.

But how would these new mics LSM USB mics from Studio Projects affect your professional demeanor?

Microphone Basic Care & Theory

Have you noticed all the questions on various forums about what to do about various spits and sputters in the performance of different mics. When you invest in what you believe to be a quality instrument and it does peculiar things that just don't seem right, how do you know if it means the mic is defective or it just not the right mic for you?
Or how do you take proper care of your mic to make sound its best for a long time?
How many of us old Radio people have seen somebody spray the control or production room mics with Lysol to kill germs? (I think someone makes a product just for that, by the way.)
Here's a couple very basic tips from some folks that know:

Care & Feeding of Condenser Mics (by JP Gerard at ADK mics)

General Mic Theory of Mostly Dynamic Mics (by Bob Heil)

How to Position a Mic for Best Sound (very basic from MXL)

General Mic Techniques (by Shure, mostly for musicians)

and How the Pro's did it 10 Years ago (from Mixonline)

These are not, by far, the ultimate "last word" on the technical subject of microphone basics, but they may be a start for the newbie or a refreshing reminder for the old pro.

If you have better suggestions for resources, or you want to write some tips yourself, don't hesitate to send them to us.

Schwartz Laser Mic and More Explained

Ronans Chris Murphy gets the story directly from the AES Show.
Put on your nerd hat. It's deep.

Need a "Quiet Space?"

WhisperRoom Showcases Design Innovations at AES Oct 5, 2009, 20:10

New York, NY -- About to celebrate their 20th anniversary, WhisperRoom™, Inc., returns to the Javits Center for AES 2009. A leader in sound isolation technology, WhisperRoom manufactures sound isolation booths for the recording and broadcasting industries. Since their showing at AES, they have made quite a few design changes and innovations. The most significant change enables clients to assemble the WhisperRoom completely from the interior. While older models were equipped with straps and required space around the WhisperRoom for assembly, the new models allow complete assembly to be accomplished from the interior with hinged brackets connecting the ceiling and floor to the walls. This eliminates the need for straps and additional space.

WhisperRoom™, Inc. offers 20 different sizes as well as two levels of sound isolation: a Standard (single wall) and an Enhanced (double wall). All models are upgradeable from a Standard to an Enhanced at any time, in order to accommodate clients’ ever-changing needs. Sizes range from a modest 3.5’ x 2.5’ one-person unit to a room-size 8.5’ x 15.5’ unit. Most models are also expandable in length in various increments depending on the model. There is a model of WhisperRoom to accommodate any clients’ needs – including television networks, radio stations, universities, government agencies, and home recording studios.

Included with all WhisperRooms are basic ventilation systems with a remote switch, a door window, Auralex® acoustic foam sheets, and an interior light. A variety of optional features are also available. At AES, the MDL 4848E (4’ x 4’) will be on exhibit, which features an optional Caster Plate, a 26” x 36” Wall Window, Ventilation Silencing System, and Exterior Fan Silencer.

In most cases, WhisperRooms can ship within 48 hours of purchase and they offer a 5-year manufacturer’s warranty, the best in the industry. Educational discounts, monthly specials and GSA pricing are available.

What's Up With a New Neumann TLM 102?

Neumann TLM 102

(See the Video Here.)

The reduced overall size contributes to an exceptionally compact appearance, which unites all of the typical design components of a Neumann microphone. The harmonious proportions and gleaming grille ring ensure that even at first glance, the TLM 102 attracts attention and sympathy.

The TLM 102 is impressive in terms of sound: In the interior is a newly developed large-diaphragm capsule (cardioid) with a maximum sound pressure level of 144 dB, which permits the recording of percussion, drums, amps and other very loud sound sources, for example. Instruments that are not especially loud also benefit from the very fast transient response of the TLM 102. However its most important applications are in the realm of vocals and speech; a slight boost above 6 kHz provides for excellent presence of the voice in the overall mix. Up to 6 kHz the frequency response is extremely linear, ensuring minimal coloration and a clearly defined bass range. The capsule has an elastic suspension for the suppression of structure-borne noise. A pop screen integrated into the grille serves to suppress plosives in vocal and speech recording.

Due to its price and flexible field of application, the TLM 102 is ideal for the home recording and project studio sector, as well as for the broadcasting area, especially when clear lines of sight to the speakers are a priority.The TLM 102 is available in black and nickel; a stand mount is included. An elastic spider suspension mount will be available shortly.

The TLM 102 is available in black and nickel, with a standmount, at a price of around 600 euros (less than $900 U.S.).

(..even at first glance, the TLM 102 attracts attention and sympathy.) WHAT?

Here is a Video by Neumann's Pres at "Ramble On" (make that "Rock On)