Monday, August 1, 2011

Malo Shares a Discovery. Tell Us What You Think


I would like to ask you to check out the OSP STM-1300C Studio Condenser Microphone. The maker did a mic test on youtube and a shootout where it was compared to the Neumann u87. I was skeptical, but I purchased it and I must say it sounds AMAZING, especially at the price of $149.99. Check out the video, and I can make samples if needed. Thanks!!

I was wondering if you could post this test.
Audio Technica 835b versus the Sennheiser MKH 416


Sennheiser mkh 416, a hollywood standard VO mic and boom mic ($1000) versus an OSP STM1300 (250$). Both plugged into a zoom H4n, no pop filter used sorry about that, 6 inches away from my mouth, no processing. Is it worth the price difference for this application? I also have a test from 12" that I will upload soon. Let us know your thoughts.


Thanks Malo

Friday, June 24, 2011

What Are We Buying From Sennheiser?

Notice the smallest sales groups.. one of which is Georg Neumann. Does the profit margin make up for smaller numbers?

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Wedemark, Germany (June 24, 2011)—Sennheiser has released its financial statement for the business year 2010, reporting an increased turnover of 468.2 million Euros--an increase of 20.1 percent and the largest in the company's history. The company’s 2009 turnover was 389.9 million Euros last year. Profit increased from 3.8 million Euros (in 2009) to 22.6 million Euros.

"All product groups and all markets have contributed to this positive result," said Volker Bartels, Spokesperson of Sennheiser's Executive Management Board. "One of the important factors that contributed to this result was the revival of the professional side of our business and the highly positive growth at the end of the year, particularly in the consumer segment. Now we have to stabilize this dynamic growth and further expand our business.” On average in the year 2010, the Sennheiser Group employed 2,117 people, 1,153 of them in Germany.

The largest part of the company's turnover came from headphone sales, which contributed 34.9 percent of total turnover. Following this was wireless microphone sales (25.5 percent), then Sennheiser communications products (8.1 percent) and then wired microphones (7.4 percent). Audiology products made up 6.6 percent of the total turnover and professional headsets made up 4.5 percent. Georg Neumann GmbH contributed 3.6 percent of the total turnover with studio microphones and studio monitors. The conference and information systems sector contributed 3.3 percent.
  
Despite a global shortage of electronic components, Sennheiser was able to increase production in 2010, by its own reckoning, thereby able to overcome the immediate effects of the global economic and financial crisis.

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Sennheiser managed to reach double-digit figures for its growth rate in all sales regions in 2010. In particular, Asia influenced growth in the elecronics industry. In the the "Asia and Australia" region, turnover increased from 44 million Euros in 2009 to 59.7 million in 2010, an increase of 35.6 percent. "This positive development shows us that using our own sales subsidiaries on the ground was the right strategic decision," affirmed Volker Bartels. The audio specialist also grew in the Americas. Turnover increased by 26.5 percent compared to last year, up to a total of 125.6 million Euros. There was a notecibly reversed trend in the "EMEA" region. In this previously decreasing market (-2.8 percent in 2009), Sennheiser achieved an increase of 14.7 percent. In the sub-regional breakdown, Central Europe contributed excellent growth of 17.9 percent. Generally speaking, sales outside Germany continues to be extremely important for Sennheiser. In 2010, the company's export ratio was about 83 percent.

Research and Development (R&D) is a central component of Sennheiser's business strategy. Spending on R&D in 2010 was 6.1 percent of turnover - i.e. 28.6 million Euros. To recognize future trends and opportunities, Sennheiser runs a company-owned research facility: the Sennheiser Innovation AG in Zurich, Switzerland. Here, Sennheiser analyzes future trends that may have an impact on Sennheiser’s business and on the audio specialist’s product development. "We need to be able to react quickly to changes in the market,” Bartels said. “This is why we focus on consumer needs in the long-term and try to recognize important developments as soon as possible."

For Sennheiser and its employees, 2011 will be focused on implementing the new company structure. Since the first of January, Sennheiser has been organized into three business divisions, helping provide greater market and customer focus in each respective business area. "We have developed a divisional strategy over the last few years and this is now also being reflected in our organizational structure,” Bartels said. “The company's new divisional organization will allow us to perfectly adapt our products, services, processes and especially our way of thinking to our customer's needs. This is another reason why we look at the future with optimism.”

Sennheiser
www.sennheiser.com 

Sunday, May 8, 2011

Mics for Video

Microphone use for video is a little more of a different animal. We tell new videographers that if the lighting is close (we can see the eyes) and the audio is spot on, the viewer will forgive a lot of visual mistakes. Actually, the quote is often attributed to Cecil B. DeMille.
I have been meaning to write on this subject outside of the manual we have for our teams, but the folks at HDVideo Pro have done a good job:
Microphone Grab Bag

Wednesday, March 23, 2011

Have you seen the "Pocket Sound-booth?"


Description

The Pocket Sound Booth™ reduces ambient sound received by a microphone; placing special high acoustic loss materials and structures between unwanted sound sources and your microphone. Basically, it alters and tightens the polar pattern of a microphone while making minimal changes to the near field on axis response.
The Pocket Sound Booth™ fits over your side-address studio microphone or axial (hand held) microphone and doesn't require any expensive hardware to do its job. Other products such as reflection filters cost around ten times as much as the Pocket Sound Booth™ and they block less than half of the ambient sound that the Pocket Sound Booth™ does.
The Pocket Sound Booth™ uses a quarter wave trap to reduce wavelengths that are 4 times the largest dimension of the Pocket Sound Booth™. The quarter wave trap allows open acoustic passage for the microphone being used in the Pocket Sound Booth™ to have minimal coloration.
Pop Filter and Wind Screen
The Pocket Sound Booth™ includes two variations of front filters if you need them. One filter is an extremely acoustically transparent and very effective turbulence filter (pop filter) and the other is a more conventional windscreen.
The system supports microphones of all polar patterns, some square type microphones are supported and other types can be fitted to with a few minor adjustments. The model PSB448 is 4" x 4" X 8". Voiceovers with a ribbon microphone and a Pocket Sound Booth™… big, smooth, silky and quiet!
An XLR extender might be needed for some shorter axial microphones. An XLR extender and Proximity Touch Up Filter™ (TUF) is also available for shorter microphones. This special microphone filter is passive and compensates for close microphone use (-3dB) without rolling off all of the lower bass. Most low cut filters “cut off” all the low bass (-12dB at 75Hz.).
The Pocket Sound Booth™ is made in America.

Thursday, February 24, 2011

Cloudlifter Adds Gain to Ribbon and Dynamic Mics

There are times when I prefer to use a dynamic mic in certain situations. Some large diaphram dynamics need a lot of gain to get the best sound. Here's a solution:

The Ramblings of Some Audio Guy: SomeAudioGuy Video Mini-Review: Cloud Microphone's Cloudlifter CL-1 Mic Activator

Sunday, February 20, 2011

Is Blue Upping USB Mic Credibility?

I haven't found a USB Mic that I would use for all voiceover applications, although I have used some pretty good ones. But this review piques my interest.


Engadget's Review of the Blue Yeti Pro

I would love to test this new Blue. Maybe I will ask my new found "Apple" buddies to loan me theirs.

Saturday, February 19, 2011

About Your Acoustical Environment

Universal Audio published an interesting article on Sound Proofing/Deadening for musicians. Most points can be taken by Voiceover Artists.
Here's the "Build Your Own Sound Deadening Panels" piece we did several years ago: