Will,
Hi! I really enjoy your mic tests and I have learned a lot from them. I am sending along an mp3 of a mic test I did of the MXL 909 after reading a passage in Voice Actors Guide to Recording at Home... and on the Road, in which Harlan Hogan compared the 909 to the Sennheiser 416. Picked it up out of sheer curiosity and it was only 70 bucks. I like it. Think it sounds pretty good.
Be well,
Daniel Wright
http://gravelthroat.com
Wow! Thanks DW.
You do sound great on the 909. It is a good example of knowing how to use the tools we have. Using the Sennheiser MKH-416 for voice over work requires full use and knowledge of Voiceover technique. Things like mic placement, proximity, level control, intensity, modulated inflection and much more makes getting the most out of any mic a study in style.
CHECK OUT DANIEL'S TEST HERE
Friday, February 27, 2009
Tuesday, February 24, 2009
Some Audio Guy Gets a New 414!
You know that feeling when you get a new mic that you like and respect? Ohh, that new mic smell; How good it feels; the weight and heft; all the things that say, "It's new and it's MINE!"
Check out The Ramblings of Some Audio Guy's Unboxing of his new AKG C414B-XLS.
Thursday, February 19, 2009
Look Over My Shoulder at Some Mail....
Kelly,
Ever since you sent us the Spoken Word samples of the HM-2D and the HM-7U we've been getting inquiries and praises from voiceover artists on Kel Audio products.
Now, there are rumblings you may have another outstanding product coming soon.
All we ask is don't forget to send your Voiceover Fans a sample file of the new mics
---------------------
We won't forget. Just finishing up the final prototypes then we will announce the mic over the next few days.
Sincerely,
Kelly Dueck
Kel Audio Inc.
www. kelaudio.com
Friday, January 30, 2009
Thursday, January 29, 2009
Wednesday, January 28, 2009
Shure has new DIGITAL mics?
From SportsVideo.org
Shure Mics Make Move to Digital
Jan 27, 2009 - 2:17:44 PM
Shure microphones are moving into the digital realm with the debut of three products: the PG27USB and PG42USB side-address condenser microphones and the X2U XLR-to-USB signal adapter. In addition, Shure introduced XLR models of the new microphones, the PG27 and PG42. “Over the past several years, more and more musicians, both professional and amateur, have taken recording into their own hands at home, on the road, in their bedroom, basement, tour bus, wherever,” says Chad Wiggins, category manager, Wired Microphones. “With these new products, we’re bringing the legendary heritage of Shure microphones to every level of performer and home recording artist as the proliferation of digital recording continues.” The PG27USB and PG42USB microphones connect professional-caliber Shure microphones to any USB computer port with “plug-and-play” performance. The cardioid condenser mics feature built-in headphone monitoring with zero latency and monitor mix control, enabling users to instantly hear what they’re recording through headphones and make adjustments on the fly, which makes them excellent tools for multitrack recording. Both microphones are durable enough for everyday use and practice but sophisticated enough for advanced recording by the most discerning artists. “Now anyone can connect a Shure microphone to their computer to create their music,” says Scott Sullivan, senior director of product marketing and development. “We realized that musicians who create digital recordings are looking for three things: superior equipment to translate their sound; the ability to hear themselves ... monitoring; and the ability to accurately adjust their monitor mix. We’re delivering all of this with our new USB microphones and the X2U adapter.” The PG27 and PG42 are XLR counterparts of the USB models. The PG27 and PG27USB feature a flat, neutral frequency response for natural reproduction of a wide variety of instrument and vocal sound sources. The PG42 and PG42USB were specifically engineered to reproduce the subtle nuances of lead vocals. The large diaphragm allows for higher sensitivity to clearly reproduce refined performances. The low-cut filter and external shock-mount further optimize performance for vocals.
Shure Mics Make Move to Digital
Jan 27, 2009 - 2:17:44 PM
Shure microphones are moving into the digital realm with the debut of three products: the PG27USB and PG42USB side-address condenser microphones and the X2U XLR-to-USB signal adapter. In addition, Shure introduced XLR models of the new microphones, the PG27 and PG42. “Over the past several years, more and more musicians, both professional and amateur, have taken recording into their own hands at home, on the road, in their bedroom, basement, tour bus, wherever,” says Chad Wiggins, category manager, Wired Microphones. “With these new products, we’re bringing the legendary heritage of Shure microphones to every level of performer and home recording artist as the proliferation of digital recording continues.” The PG27USB and PG42USB microphones connect professional-caliber Shure microphones to any USB computer port with “plug-and-play” performance. The cardioid condenser mics feature built-in headphone monitoring with zero latency and monitor mix control, enabling users to instantly hear what they’re recording through headphones and make adjustments on the fly, which makes them excellent tools for multitrack recording. Both microphones are durable enough for everyday use and practice but sophisticated enough for advanced recording by the most discerning artists. “Now anyone can connect a Shure microphone to their computer to create their music,” says Scott Sullivan, senior director of product marketing and development. “We realized that musicians who create digital recordings are looking for three things: superior equipment to translate their sound; the ability to hear themselves ... monitoring; and the ability to accurately adjust their monitor mix. We’re delivering all of this with our new USB microphones and the X2U adapter.” The PG27 and PG42 are XLR counterparts of the USB models. The PG27 and PG27USB feature a flat, neutral frequency response for natural reproduction of a wide variety of instrument and vocal sound sources. The PG42 and PG42USB were specifically engineered to reproduce the subtle nuances of lead vocals. The large diaphragm allows for higher sensitivity to clearly reproduce refined performances. The low-cut filter and external shock-mount further optimize performance for vocals.
Tuesday, January 20, 2009
GW Gets Hands-on Test on Popular ADK's
George Whittam of ElDorado Recording Services took his very impressive CEntrance Micport Pro to the Winter NAMM 2009.
Listen as George tests the ADK A-51, S-51, A-6, A-7. Scroll down past the video. (I'll try to post the test here later.)
Personally, I think the S-51 and A-7 sound best with George's test. It would really sound good if he had done it in one of his fantastically designed rooms.
Oh, Here's the Larry Villella video. When are you manufacturers going to realize that we want to HEAR HOW THE MICS SOUND as well as how they look?
Listen as George tests the ADK A-51, S-51, A-6, A-7. Scroll down past the video. (I'll try to post the test here later.)
Personally, I think the S-51 and A-7 sound best with George's test. It would really sound good if he had done it in one of his fantastically designed rooms.
Oh, Here's the Larry Villella video. When are you manufacturers going to realize that we want to HEAR HOW THE MICS SOUND as well as how they look?
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